“Right” says
Meddler determinedly.
He leads the way back around to the front of the house to where the rose garden stands.
“We’re using water from the lake to maintain the garden” says Meddler. The roses themselves do seem to be in better condition than the rest of the grounds, but the earth is still hard and dry. Bees and butterflies go about their business collecting pollen.
There are various statues in the garden, but all are in bad repair.
“The statues are all the work of Nicholas Forby” says
Meddler.
“He was interested in the Classics, so all you see are interpretations of those figures. I believe there was some kind of weakness in his casting technique, so all the statues have a tendency to crack due to cold.”
Looking around, the companions can see that this is true. Hydra is missing half of her heads, and Demeter’s arms have fallen off. Cupid and Psyche are depicted as kissing, but exposure has malformed their faces so that they appear to be devouring each other, a most unsettling sight. Medusa’s face has disappeared, which gives a sense of being perpetually watched by her.
In the centre of the garden is a life-size bronze cast of a naked man. As a result of decades of exposure, it is covered in verdigris, but it is in much better repair than the other statues. The figure is lying on his back with closed eyes and spread-eagled arms.
The base is surrounded by well-kept roses, but the title of the statue is revealed in bold, flowing letters;
‘ICARUS, After the Sea Left Him’
Beneath this comes further script;
‘Did I request thee, Maker from my clay
To mould me man?
Did I solicit thee From darkness to promote me?’