[IC - MEXICO CITY] Brooks's House
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Re: [IC - MEXICO CITY] Brooks's House
"Let's get out of here," says Holly, a sentiment with which she is sure everyone agrees.
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Re: [IC - MEXICO CITY] Brooks's House
Christopher Fontana
"Yes! Let's leave this dreadful place... have we got everything though? I've no desire to come back here."
Christopher makes another pass of the 'secret room' to make sure that no potential clues is left behind. After a few moments he stands in the lounge, "I think that's everything." he announces, ready to depart.
"Yes! Let's leave this dreadful place... have we got everything though? I've no desire to come back here."
Christopher makes another pass of the 'secret room' to make sure that no potential clues is left behind. After a few moments he stands in the lounge, "I think that's everything." he announces, ready to depart.
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Re: [IC - MEXICO CITY] Brooks's House
Ian Morin
"Yes, please." says Ian, standing beside the door already.
"Yes, please." says Ian, standing beside the door already.
Re: [IC - MEXICO CITY] Brooks's House
Cameron:
"Yeah, let's get outta here."
Cam can't get away from the freakish birds quickly enough. He leads the way out to the cars, just in case. Although he knows his handgun is useless against a flock of demon birds.
"Yeah, let's get outta here."
Cam can't get away from the freakish birds quickly enough. He leads the way out to the cars, just in case. Although he knows his handgun is useless against a flock of demon birds.
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Re: [IC - MEXICO CITY] Brooks's House
You leave the doors behind, and with them the terrifying sound of the birds wings flapping and their horrifying caw, mixed with what you can still swear sounds just like words...
Down the elevator, the concierge seems to realize you're unnaturally pale, and shaken, and after a meaningful stare from Cam, possibly quite dangerous as well. He just stays silent as you walk out into the sun, looking up above your heads nervously - but the sky is clear and there are no birds in sight. You're back into the normal world now, where things like those birds have no place. And for now, that's good enough.
Down the elevator, the concierge seems to realize you're unnaturally pale, and shaken, and after a meaningful stare from Cam, possibly quite dangerous as well. He just stays silent as you walk out into the sun, looking up above your heads nervously - but the sky is clear and there are no birds in sight. You're back into the normal world now, where things like those birds have no place. And for now, that's good enough.
OOC: Continues here: https://www.callofcthulhu.org.uk/pbp/vi ... 352&t=6488 |
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