A Victim of the Art
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Re: A Victim of the Art
"We'll need to check out the scene of the abduction after we're done here," Vanessa says to Gregson, keeping him "distracted." "There could be evidence there. Have your people gone over the site yet?"
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Re: A Victim of the Art
OOC: It makes sense to me. Gregson might think otherwise, but you can talk to him and see what he says, sure. |
At this point Nik returns with Kimberly following close behind. Gregson moves towards them. "Now this wasn't part of our deal," he protests.
Re: A Victim of the Art
Nik
Nik addresses Gregson firmly and urgently. “I just want to move her to a safer room. Where she won’t be disturbed by visitors, at least not for a while. Is there a room like that in the hospital, where she can get some peace and quiet? Is there a doctor who can help us out?”
Nik addresses Gregson firmly and urgently. “I just want to move her to a safer room. Where she won’t be disturbed by visitors, at least not for a while. Is there a room like that in the hospital, where she can get some peace and quiet? Is there a doctor who can help us out?”
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Re: A Victim of the Art
Gregson looks defeated, but nods. "I'll go ask. Can''t exactly argue with a doctor's orders."
He manages to find a doctor, and after only some minor convincing they're able to transfer Kimberly to a different room. More importantly, the doctor is willing to insist that she be kept overnight for monitoring. Even for the NSA, getting her out of here tonight would not be an easy task.
Thus while Gregson continues to talk with the others, Nik finds himself helping the young teen settle into a different room. Kimberly looks at him. "Do you...really believe me?" she asks. "II've tried so hard to tell everyone what I saw, but they think I'm in shock. But I know what I saw."
He manages to find a doctor, and after only some minor convincing they're able to transfer Kimberly to a different room. More importantly, the doctor is willing to insist that she be kept overnight for monitoring. Even for the NSA, getting her out of here tonight would not be an easy task.
Thus while Gregson continues to talk with the others, Nik finds himself helping the young teen settle into a different room. Kimberly looks at him. "Do you...really believe me?" she asks. "II've tried so hard to tell everyone what I saw, but they think I'm in shock. But I know what I saw."
Re: A Victim of the Art
"Yes, we believe you" says Nik. "We've seen things too."
He gets out his notebook and pen.
"Can you describe the creature? Or maybe even draw what you saw?"
He gets out his notebook and pen.
"Can you describe the creature? Or maybe even draw what you saw?"
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Re: A Victim of the Art
Kimberly nods and begins to draw. As she does so, she speaks, apparently needing the distraction.
"Chad and I had just started to....date. I had been interested in him for awhile, but Lauren was my friend. We were both on the cheerleading team. I didn't want to hurt her. But since her death we've seen each other a few times. Today Chad asked me out. He seemed really angry, though he wouldn't me why, and I didn't ask.
"We had dinner and saw a movie. Then we drove up to a private spot and got physical.Both our parents were home so... you probably don't need to know that. Anyway, we were alone in a deserted area. Chad had just removed my shirt when we heard a loud bang on the roof of the car. It seemed like something had crashed into it. We both pulled away from each other, unsure what to expect. Chad wanted to get out and look but I begged him not to. I knew if he did something terrible would happen. I told him to just drive away.
But before either of us could do anything something tore off the driver's door and tossed it to the side. And I saw some kind of...of, monster!" Kimberly's eyes fill with tears and she starts to shake, but she takes a deep breath and keeps going. "Here. It's not an exact replica but it's as close as I could get."
"We both screamed. It reached into the car and grabbed Chad with one of its talons. He struggled, but briefly. Chad is really strong, but this thing picked him up like he weighed nothing. Then it flew off into the night, and the last thing I heard was his screaming.
"I wanted to help, but it all happened so fast, and there was nothing I could do! And I was terrified. I waited for several minutes before I got the courage to head back into own and find a payphone, and I called the police. But they don't even believe me! Nobody does!" She begins to sob into her gown.
"Chad and I had just started to....date. I had been interested in him for awhile, but Lauren was my friend. We were both on the cheerleading team. I didn't want to hurt her. But since her death we've seen each other a few times. Today Chad asked me out. He seemed really angry, though he wouldn't me why, and I didn't ask.
"We had dinner and saw a movie. Then we drove up to a private spot and got physical.Both our parents were home so... you probably don't need to know that. Anyway, we were alone in a deserted area. Chad had just removed my shirt when we heard a loud bang on the roof of the car. It seemed like something had crashed into it. We both pulled away from each other, unsure what to expect. Chad wanted to get out and look but I begged him not to. I knew if he did something terrible would happen. I told him to just drive away.
But before either of us could do anything something tore off the driver's door and tossed it to the side. And I saw some kind of...of, monster!" Kimberly's eyes fill with tears and she starts to shake, but she takes a deep breath and keeps going. "Here. It's not an exact replica but it's as close as I could get."
"We both screamed. It reached into the car and grabbed Chad with one of its talons. He struggled, but briefly. Chad is really strong, but this thing picked him up like he weighed nothing. Then it flew off into the night, and the last thing I heard was his screaming.
"I wanted to help, but it all happened so fast, and there was nothing I could do! And I was terrified. I waited for several minutes before I got the courage to head back into own and find a payphone, and I called the police. But they don't even believe me! Nobody does!" She begins to sob into her gown.
Re: A Victim of the Art
"We believe you," Vanessa reassured her. She examines the sketch, trying to determine if it looks similar to anything she had seen in Thomas Dengler's drawings.
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Re: A Victim of the Art
"Holy shit" thinks Nik. It's more horrible - and large - than he imagined. "How the hell do we fight that thing?"
"I'll fax this picture to Jensen Wu when the museum opens. We should update Marcus too."
He turns to Kimberly. "Do you know if Chad had any run-ins with any of the other kids today?"
"I'll fax this picture to Jensen Wu when the museum opens. We should update Marcus too."
He turns to Kimberly. "Do you know if Chad had any run-ins with any of the other kids today?"
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Re: A Victim of the Art
OOC: I actually intended for Vanessa and Edmund to remain outside talking to Gregson. But it's not really a big deal, we can go with this. |
"No, I don't. He was in a bad mood, but as I said I'm not sure why. No one would cross Chad though. If I'm being honest, he mostly bullied a few of our classmates. He actually mentioned to me that he got detention from Ms. Hatvan a few days back for picking on Thomas Dengler. He bitched to me for a solid fifteen minutes that he didn't think he deserved it. Apparently he blamed Thomas and tormented him during detention, which is kind of a shame. Thomas is a good guy. A bit of a dork, but earnest." she goes on to mention other students Chad has bullied recently, but none are names the agents recognize.
Re: A Victim of the Art
Nik
“Excuse us a moment Kimberly”.
Nik ushers Vanessa outside the door. "Dengler again. We really need to search his house. Maybe you and Rue can go, while I stay here and run interference with the NSA”.
“Excuse us a moment Kimberly”.
Nik ushers Vanessa outside the door. "Dengler again. We really need to search his house. Maybe you and Rue can go, while I stay here and run interference with the NSA”.
OOC: Nik has the lowest Search score, so maybe he should stay. What time is it now SP? |
Re: A Victim of the Art
"Are you sure we should go now?" asks Vanessa. "They'll still be home, not to mention asleep. Plus, they may insist upon their rights if they're present. We don't have a warrant, and no judge is going to give us one based on the evidence."
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Re: A Victim of the Art
Nik
"I didn't mean now, I meant later. We can't go in while they're inside. Perhaps we should all go together then. We can get Kimberly's parents here with a lawyer. Together with the doctors and the local PD, they should all be a match for those NSA clowns if they try anything funny ".
"I didn't mean now, I meant later. We can't go in while they're inside. Perhaps we should all go together then. We can get Kimberly's parents here with a lawyer. Together with the doctors and the local PD, they should all be a match for those NSA clowns if they try anything funny ".
Re: A Victim of the Art
"It's worth a try," says Vanessa. "It can at least slow them down and distract them. In the meantime, I'd like to head to the scene of the attack, since I'm the forensics expert. Either you or Rue could come with me if you like with the other remaining here, or you could both stay here and run interference for when the NSA shows up."
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Re: A Victim of the Art
"Why don't I stay here then and get things arranged, and you head out. Take Rue if he wants. We can meet back at the Dengler's later."
Nik finds Gregson and tells him his idea to protect Kimberly.
Nik finds Gregson and tells him his idea to protect Kimberly.
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Re: A Victim of the Art
OOC: I'll say it's a little after 4:30. So still pretty dark out. I'll let Rue decide where he wants to go, and he can fit into either scene. |
Vanessa meanwhile heads out to the hill overlooking the rest of Glendridge. It's an isolated spot, both easy for teens to sneak away and easy for someone to attack them without anyone noticing. By now of course some police are on the scene, but they let her through without too much trouble.
OOC: Feel free to make a forensic check, let's see if Vanessa spots anything on the ground. |
Re: A Victim of the Art
Nik talks to Gregson.
“I don’t think they’d hurt her, but they don’t observe normal rules. They want to catch the killer, but they don’t care who they tread on in order to do it.”
He continues. “They will want to question her, but insist on as many people being present as possible. Don’t let them remove her from the hospital. She’s had a great shock, and the story she gives is just her way of coping with it. In time, she’ll start to think more rationally. It would be better to keep her here in the hospital until this thing is over.”
“I don’t think they’d hurt her, but they don’t observe normal rules. They want to catch the killer, but they don’t care who they tread on in order to do it.”
He continues. “They will want to question her, but insist on as many people being present as possible. Don’t let them remove her from the hospital. She’s had a great shock, and the story she gives is just her way of coping with it. In time, she’ll start to think more rationally. It would be better to keep her here in the hospital until this thing is over.”
Re: A Victim of the Art
Vanessa examines the car and the surrounding area carefully for any clues.
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Re: A Victim of the Art
The agents are exactly what Nik expected. He speaks up in a calm and reasonable tone.
“Agent Bowers, Kimberly has expressed that her parents and doctor be present if you question her. That right is accorded to a minor when they are questioned by police. But, wait a minute, you’re an intelligence agency and you don’t actually have any law enforcement powers, do you? That’s unfortunate, and it makes it quite difficult for you to demand anything. So Detective Gregson will also need to be present. And I’m not going anywhere until I’ve been told to do so by my superiors.”
He opens his hands in a conciliatory gesture.
“But if Kimberly’s parents and doctor and the Detective were present, I’m sure there’d be no problems.”
“Agent Bowers, Kimberly has expressed that her parents and doctor be present if you question her. That right is accorded to a minor when they are questioned by police. But, wait a minute, you’re an intelligence agency and you don’t actually have any law enforcement powers, do you? That’s unfortunate, and it makes it quite difficult for you to demand anything. So Detective Gregson will also need to be present. And I’m not going anywhere until I’ve been told to do so by my superiors.”
He opens his hands in a conciliatory gesture.
“But if Kimberly’s parents and doctor and the Detective were present, I’m sure there’d be no problems.”
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