Play@YSDC

I'm very sorry, I was out for several days and no net.
About the time: Parker finished the interrogation about 30 minutes latter after Paula left. f he goes by train, he must wait for another full hour before he gets a new train (at that hour of the nigth there are only trains in each hour, and this only at friday and saturday). Or he could get a taxi. Even if he gets a taxi, he would never get on time at the house of the young man at the same time they were, but he could get at the time of the cerimony. He will pay a huge pile of money by portuguese standarts, but that is not a problem I think
But you are free to find some other creative solution as long as it makes sense.

OOC: Actually, it makes a a big diference. If you take a taxi to the scene of the crime, the taxidriver can be a witness that he have take an american to the place where something weird happened. If Parker goes in a rent-a-car, ther is no witness.

Parker:

Parker is cursing his luck, being forced to drive at this hour. Even with Paula's instruction he is not sure that he is in the right road: all he sees are trees. And suddenly, he sees two cars stopped; one he is sure was the car Paula rented. The other must be the one that they were following. As soon as he stops, he hear several shots.

Paula:
OOC: With insanity, you are very limited in your actions: run away, scream, or something very basic.

Paulus
Paulus after shooting the young one, he is saving the director

Agent Parker, upon hearing the gun shots, draws his pistol

OOC:   I assume he has a pistol

. He then proceeds to run towards the sound of the gunshots while trying to remain hidden amongst the shadows with his head down low.

Paula screams and flees in panic, running back the way she came.

Parker sees suddenly a giant screaming in his direction.

OOC: Paulus: you are free to act.

Grabbing the director by his arm Paulus turns tail and runs back in the direction he came dragging the director with him. He hopes Paula's fear will carry her to safety.

Keep your mouth shut and don't struggle or I'll leave you for whatever that is. He shouts at the man, gesturing with back over his shoulder.

OOC:   Paulus, does not look back, he figures the Director is the best source of information, everything else can be sorted out at a later date, but not if either of them is dead.

Paulus

You hear an awful screaming behind you ... and then silence.

Paulus takes a firmer grip on the director and pulls him along. "I've said it already. RUN!!"

[ic-think]Where the hell is Paula?[/ic-think]

OOC:   Did the scream sound male or female.

OOC:   What do you mean Parker sees a giant screaming in his direction? Do you mean I see Agent Paula screaming because she is pretty tall? Or is it a giant person or perhaps creature that is giant? Either way...

Agent Parker raies his pistol and aims at the screaming giant, not firing until he can determine what it is.

When she sees the pistol, Paula turns around and runs back the other way in panic.

OOC,I'm pretty sure it's me you're seeing.

OOC1: Parker: yes, it's agent Paula but it's dark in a wood, so you don't see her face.
OOC2 Paulus: it was male, and it's probably the young that was summoning the thing.


Parker:
You see suddenly that the giant it's actually Paula that is in panic and screaming and starts running away from you, back from where she came.

Paulus:
The director starts running as fast as he can. And you hear Paula screaming in front of you and she is running in your direction , afraid of something she saw (and it's not the black mass, because that is behind you).

Happy the director isn't struggling against him Paulus holsters his gun to have both hands free and continues to run in the direction of the car. He wants to put as much distance between himself and the black mass as possible, at least until he understands what the hell is going on.

OOC:   If he see's Agent Paula, Paulus will yell at her to get back to the car. The same if he sees and identifies Agent Parker.

Agent Parker yells out her name, lowers his gun, and attempts to sprint after her while checking the sides for agent Paulus or any one esle that may be here.

Paula turns around again, running back the way she came.

Paula finally recovers her sense. Parker see Paulus running in his direction, with the director.